1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.   Related Paintings of Frederic E.Church :. | The Mediterranean Sea | Chimborazo | The Parthenon | El Khasneb,Petra | Hooker and Company Journeying through the Wilderness in 1636 from Plymouth to Harford |
Related Artists:
Pierre-Antoine Baudouin
French Painter, 1723-1769 French painter. A pupil of Francois Boucher, whose younger daughter he married in 1758, he specialized in miniatures painted in gouache, which he first exhibited at the Salon of 1761. He was received as a member of the Acad?mie Royale in 1763 with a small gouache of a historical subject, Phryne Accused of Impiety before the Areopagite (Paris, Louvre), and he later painted illustrations of biblical episodes. However, he made his name as a painter of libertine scenes in contemporary settings, which he exhibited regularly at the Salon from 1763 until 1769. Some of his work is directly inspired by Boucher's scenes of pastoral love, but the ostensibly moral themes and careful attention to detail of such paintings as the Modest Model (exh. Salon 1769; Washington, DC, N.G.A.) demonstrate that he was also influenced by Jean-Baptiste Greuze. His pictures were condemned for their immorality, both by the Archbishop of Paris, who in 1763 and 1765 ordered that works by Baudouin be withdrawn from the Salon, and also by Denis Diderot and other critics who accused him of pandering to the decadent taste of his patrons. Nevertheless, Baudouin was one of the most popular artists of the last decades of the ancien regime.
William Lees Judson
1842-1928 William Lees Judson was born in 1842 in Manchester, England, and moved to the United States with his parents when he was ten years old. After serving four years with the Illinois volunteers during the American Civil War, Judson studied art in New York and Paris. He settled in London, Ontario, where he became a successful portrait painter and art teacher. He moved to Chicago in 1890 but, suffering from failing health, he moved to Los Angeles in 1893. He settled on the banks of the Arroyo Seco in the Garvanza section of Los Angeles. A 1937 radio program noted that it was ??love at first sight?? when Judson saw the Arroyo Seco, and the area became his home for the rest of his life. Soon after his arrival, Judson was at the forefront of the Arroyo Guild of Craftsmen, an influential group of artists, sculptors and architects who fueled Southern California??s Arts and Crafts Movement. The beauty of the area stirred Judson to switch from portrait painting to landscapes, and his work attracted such favorable attention that in 1896 he was offered a professorship in drawing and painting at the University of Southern California. In the late 1890s, he founded the Los Angeles College of Fine Arts at his home in Garvanza (the present location of Judson Studios). In 1901, Judson's art college became USC??s College of Fine Arts, with Judson serving as dean from 1901 until his retirement in 1922. He died at his home in the studio building in October 1928.
John Cecil Clay
Illustrator and genre, caricature painter American 1875-1930 American illustrator known for genre and caricature paintings. Clay was born in Ronceverte, West Virginia to an long-time Southern family. He was a student of Henry Siddons Mowbray at the Art Students League of New York and had a graphic style that was suited to illustration. A reoccurring subject was pretty young women. During his life he worked for Life and Frank Leslie's Popular Monthly. He was a member of Society of Illustrators and was represented at the St. Louis Exposition-World's Fair 1904. Apart from the above mentioned magazines he also worked as an illustrator for The Century Magazine, Saturday Evening Post and Good Housekeeping.